I’ve attended a total of six proms in my lifetime, and none of them were…
Lola Wickerman does not keep secrets from the Venture Fandom, so I’m ripping the bandage…
Assisted Suicide takes the Ventureverse out of the realm of the subtle Freudian slip and into the overt world of the three-part clinical Freudian explanation of human consciousness. The craftsmanship of this episode is thoroughly marvelous; it successfully inserts Freudian themes into each storyline contained within.
Within the compound, a strange and varied assortment of father-figures attempt to save the day by different means of might and magic. The tension between Brock and Sgt. Hatred is growing thicker, both driven by an affection/attachment for the boys and a desire to wrest some kind of usefulness for their continued presence. Meanwhile, the boys themselves prove ineffective as anchoring totems for Orpheus’ magical efforts; their father’s love for them is apparently not strong enough to allow for psychic entry. The tone of these scenes could be called Oedipal (perhaps swaying more toward the resolution of the Oedipal complex which supposedly results in identification of the child with the same-sexed parent) based on the nature of the fixation of father-figures, but the dynamic is reversed; it is the father-figures competing for the position as responsible party.
Bright Lights, Dean City can be separated into three sub-storylines, all of which eventually braid together to provide satisfying narrative cohesion at the final curtain.
The Revenge Society: The episode opens with an imagined sequence of murder and frame-ups, narrated by Phantom Limb’s exquisitely rich villainous voice. While Ünderbheit seems keen on the plan and eager to please Phantom Limb, Professor Impossible is squeamish about the amount of death involved. He is also less inclined to fall into a second-fiddle position to Phantom Limb, even suggesting a different name
Where can I get an application to HankCo? Episode 4.12 is a visionary masterpiece. As they have established time and again, Astrobase Go proves unafraid to take their sordid tale of woe into dark and risky places, ultimately providing us with a rich and thought-provoking story.
The opening of the episode seems like well-worn territory; Rusty continues to thrust Dean into his failed super-scientist footsteps with an internship in New York, even going so far as to make his sensitive son don an old suit that he himself wore in his intern days. He sternly lectures Hank about finding a job. Hatred is lovably quirky and befuddled on nighttime jet functions, and adorably excited about tickets to a Broadway production of the Music Man. Cut to a Hank-operated business reminiscent of exploits seen in season 1’s Tag Sale-You’re it! It makes sense, of course, that one of the only ways Hank can think to make money is by selling his father’s possessions; it’s one of the only examples he’s ever been given to follow. Once this comfortable Venture formula has been set up, however, the meat of the episode is revealed: the mystery of Dermott’s parentage, alluded to in past episodes but never fully scrutinized, is about to be investigated by Henry Allen Venture, expert gumshoe, and his girl-Friday, the Alchemist.